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IZOTOPE IZOTOPE RX FINAL MIX (SERIAL) NEW $279

SELLER DETAILS

Mannys

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161-163 ST GEORGES RD, FITZROY NORTH, VIC, 3068

Product Details

  • Manufacturer: IZOTOPE
  • Model: RX
  • Item Condition: NEW
  • ID: #102907

Description

This product is an eLicense/Serial only. It is a digital download, no box or physical product, you simply download and authorise with the serial we provide.

RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors.

The Dynamic EQ and True Peak limiter are optimised with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels.

Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!

The Dynamic EQ feature of the Equaliser module is essentially an EQ with the ballistics of a compressor. You can control Gain, Frequency, Q, and the shape of the up to eight nodes. Surround sound, program-dependent EQ provides intelligent dynamic control over EQ adjustments. Each node can operate in a dynamic mode, in which the shape and depth of the EQ curve will change and adapt in response to the audio it's adjusting. This allows an EQ adjustment to behave differently in different scenariosfor example a large explosion, a sudden gunshot, or a dialogue sibilance reduction.

A user-definable threshold sets the point at which the dynamic ballistics begin to kick in. The incoming frequencies located at the EQ node/band is used to trigger the amount of EQ applied. The further it falls above or below the threshold, the greater the adjustment will be. The attack and release times for the trajectory of this dynamic behaviour scale in accordance to the type of audio passing through. For example, it will react differently to a sibilant dialogue area as it would a low-frequency LFE burst.

Accentuate sections of the spectrum with the Dynamic EQ - Expand mode. For example, add more impact to effects like explosions with a dynamic low shelf. When the amount of low-end energy hits the defined Threshold, the shelf can boost. But when the amount of energy is below the Threshold, the low shelf isn't touching the mix.

Three user-definable characters (Clear, Smooth, Thick) allow for more direct control over the adaptive, transparent nature of the limiting algorithm, which is tuned specifically for post production type audio. The True Peak, BS.1770-? compliant limiter provides intelligent digital loudness maximisation of the signal, while ensuring there are no True Peak overflows to keep your mixes compliant to delivery specs.

The processor is designed for neutral or transparent limiting. It does so by analysing the incoming source material and leveraging a psycho-acoustically pleasing algorithm, reacting quickly to transients and reacting more slowly to steady, lower frequency tones. In doing so, it is optimised to preserve transients and present them more clearly in the output signal, even when aggressive limiting is taking place.

RX Final Mix provides up to 7.1 surround support with control over LFE channel processing, for use on both stems and master busses. If youre delivering discrete stems, you may wish to use the frequency control and True Peak limiting of RX Final Mix on those stems. However, when using RX Final Mix on your master bus, this post-stem processing will change the relationship between the stems and the master, meaning that the stems sum will no longer equal the mix. As such, wed recommend not using RX Final Mix on the master bus if youre delivering stems. If youre delivering a final stereo or surround mix without stems, RX Final Mix contains specific master bus presets designed to prepare your mix for optimum sound quality, and even specific playback scenarios such as video streaming.

Features

No more muddy mixes!
Modern, intelligent processing adds space, depth, and life to your audio
Balance a wide variety of audio assets in a single mix, ensuring that everything can be heard
Transparent dynamic control helps unmask dialogue frequencies by dynamically reducing the frequencies on other stems
Designed specifically for Post
An intuitive, easy-to-use workflow is built around the needs of post production professionals with support for up to 7.1 surround
Get delivery-specific presets and visual feedback
Save time with a condensed Microview that offers quick access to important metering information
Lightweight, versatile, and efficient
Tackle all types of program material with multiple post tools in a single product

Store Information

THE HISTORY OF MANNYS

When you shop at Mannys you don’t just get the gear, you get the knowledge and expertise of 25 years of experience as one of Australia’s most influential independent music retailers.

In the beginning…

After managing the Allan’s city store for 10 years, an ambitious Manny Gauci-Seddon decided to open his own music store. He wanted his shop to uphold the values of true support and after-sales service, and to form genuine ongoing relationships with his customer base. The trends of the industry at that time were pointing to more of a disposable, corporate mentality and so in the early years he set out to make a name for himself as a serious independent alternative.

The first store was a funky shop in Smith Street, Collingwood in 1991. By 1998 Manny had outgrown this store and saw the need to focus more on the upcoming computer based recording revolution. He established an address in Johnson St Fitzroy as the arts were booming on the north side of the city. In the same year the opportunity came to acquire a business on Chapel St – the Revolver Music Gallery. With a two store operation Manny was now making the difference he set out to 7 years earlier. The Mannys brand was known for knowledge and service, with the staff greatly sought after for their experience. Unlike the other major players, the focus was not just on sales but also on the process of making music.

When the opportunity came to consolidate into one superstore, the North Fitzroy address seemed perfect for the move. Manny wanted to expand his customer base to include more of the musicians turning to the internet due to the lacklustre service of his competitors. He took the best from both stores and moved his operation to the hub of music and musicians just north of the city.

In November 2016 Mannys was sold to SoundBay Pty Ltd, the operator of Australia’s largest DJ and production retailer, Store DJ. While the essence of Mannys Music will always exist, our mission for Mannys Music moving forward is to ensure that we continue to build the ultimate experience for our customers online or in store. Our sales staff remain knowledgeable, professional musicians first and sales people second. Mannys Music gives you one hub to purchase all of your gear, and if we don’t have it, we’ll try our hardest to get it for you.

Mannys – The best advice you can give a musician.